The fight is on between the flattie and orwell, Its time for things to heat up in the animation. Im going to give an aerial view of orwell, trying to give off that he is smaller in scale than the now gigantic paper flattie. This is when things get good, so much more effort will be given to the animation, going for a frame by frame again.
My main worry when animating orwell like this, was that I wouldnt be able to make him stylistically match the pan of the intro. Thankfully, using the pixel halftone pattern on photoshop is a doddle, meaning I only needed to colour in the shaded sections and flip the metaphorical switch.
Orwell loves his typewriter... a little too much here. My attempts to have it lift with his body here totally make it look like he is humping it, super goofy. It also suffers from the opposite problem that the getting up animation had. There are too many frames, this happens too smoothly, too fast. I need to pace out the frames a little, and not have the damned typewriter move.
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